Ich war dieses Jahr ja in Birmingham auf der PaizoCon. Dort hatte ich ein Superwochenende, lernte viele sehr nette Leute kennen und machte auch Skizzen vor Ort. Eine grössere Zeichnung hab ich nach Hause genommen. Und es hat eine Weile gebraucht bis sie fertig war. Aber sie ist gut angekommen und die Auftraggeber haben sich sehr gefreut! Yay!
Für die OddCon habe ich für eine Spendensammelauktion ein Bild gestiftet, was auch verkauft wurde. Das geht am Montag an den Gewinner der Auktion raus!
---------------------------------------------------------------------------
This year I had been in Birmingham at the PaizoCon. I had there an awesome weekend, meet lot of super nice folks and made there sketches for the visitors. I took a bigger drawing home and finished it there. Which took sooome time. But the picture made it safe to the commissioners and they liked it very much! Yay!
And I donated a drawing for OddCon for their charity fundraising, which got sold in the auction. This picture will go on travel on monday to the winner of the auction!
Saturday, October 19, 2013
Thursday, October 17, 2013
Dodo-Skizze / Dodo-Sketch
Hier ist eine Skizze von einem Dodo, die ich auf der Rückseite von einem Fehldruck gemacht habe. Erinnert mich daran, wie in meiner Kindheit mein Vater immer alte Ausdrucke aus der Firma mitbrachte, auf deren Rückseite ich dann zeichnen konnte. :)
--------------------------------------------------------
Here is a sketch of a dodo, I did on the backside of a misprint. It reminds me how my father used to bring me old prints from his work during my childhood. I used to draw on the backsides of them too. :)
Labels:
Lost Zoo,
Skizzen/Sketches,
Tiere/Animals
Friday, September 6, 2013
Villa Haselburg
Dies wird ein längerer Artikel. Passend, da es um die grösste römische Jupiter-Gigantensäule nördlich der Alpen geht!! So, scrollt und genießt es!!
----------------------------------------------------------------
This will be a lengthy article. Appropiate, as the subject is the biggest roman Jupiter column north of the Alpes. So scroll and enjoy!!
![]() |
| Rekonstruktion der Jupitergigantensäule ----- Reconstruction of the Jupiter column |
![]() |
| Herkules |
![]() |
| Fortuna |
![]() |
| Roman Excavation Site Haselburg From the 2nd century A.D. |
![]() |
| Die Jupitersäule und die Götter in all ihrer Pracht! --------------------- The Jupiter column and the Gods and Goddesses in all their glory! |
Der Verein der Villa Haselburg trat auf mich zu, weil sie im Internet meine römischen Götter entdeckten und diese gerne für die Ausstellung verwenden wollten. Dazu musste ich aber erst die Erlaubnis des Schwager und Steinlein Verlages einholen. Der Verlag war so freundlich die Verwendung zu genehmigen.
Zusätzlich zu den Göttern erstellte ich noch eine Zeichnung der Jupiter-Gigantensäule, deren Reste auf dem Gelände gefunden wurden und zwei zusätzliche Götter; Fortuna und Herkules.Nun war am 26. August die feierliche Eröffnung mit geladenem Publikum aus Politik und Wirtschaft. Einige der Leute verkleideten sich als Römer und es waren die Sponsoren, Mitarbeiter wie ich
und Kommunalpolitiker anwesend.

Die Ausstellung mit Fundstücken ist in einem, dem römischen Baustil, nachempfundenen Haus untergebracht, und der Besucher wird anhand der Jupitersäule über die Götterwelt informiert, aber auch über das Alltagsleben auf einer Villa Rustica. Die Villa selbst war Sommerresidenz für einen wahrscheinlich sehr wohlhabenden Gouverneur oder möglicherweise Senator. Alleine der Badetrakt hat enorme Ausmaße.
Am 8. September ist der Tag des Denkmales und an diesem Tag wird die Villa auch für die Öffentlichkeit eröffnet. Und nicht nur wegen meiner Arbeiten für die Ausstellung kann ich einen Besuch wirklich von Herzem empfehlen. Alleine der Blick von dem Gelände runter auf den Odenwald ist eine Wucht!!
Mehr Fotos von meinem Besuch auf der Villa Haselburg sind auf meiner Facebook-Seite zu finden!
-----------------------------------------
I was invited to the opening of the Villa Haselburg (german) in the Odenwald. The Villa Haselburg is an excavation site on the grounds of a former roman villa rustica. Finally the society to support the Villa Haselburg was able to finance a modern information center.
The society found my illustrations about the Roman gods and goddesses in the internet and asked if they could use them for their exhibition. I had firstly ask the Schwager und Steinlein Verlag (Publishing house located in Cologne) for their okay, as they were the original client I did the illustrations for. The Schwager und Steinlein Verlag gave kindly their okay for the use of the illustrations.
I had to do three additional illustrations. One is a reconstruction of the Jupiter column whose remains were found on the grounds of Villa Haselburg. The two others were an additional God and a Goddess: Hercules and Fortuna.
On the 26th August was the opening of the Villa Haselburg to invited guests. Among them where guests from politics and from firms. Some of the people clothed themselves as romans and there where people who worked on the project like me, people from the sponsoring firms and local politicians.
The exhibition with the findings from the excavation site is now located in a building whose design is based on a roman house. The visitor is informed about the Jupiter column and the roman olymp and about every day life on the villa rustica back in the days of the romans. The villa itself must have been owned by a very wealthy person, maybe a gouvenor or even a senator. Alone the part for the bathing was enourmous.
On the 8th September is the day of the open monument, where the Villa Haselburg will finally be opened to the public. And aside from my contribution for the Jupiter column and the Gods and Goddesses, I really recommend to pay a visit. Alone the view from the site of the Villa Haselburg down to the Odenwald is awesome!!
What is important to know for all my english speaking visitors. The website for the Villa Haselburg may be in german, but all descriptions in the museum are in german and english.
You can find more photos of my visit to Villa Haselburg on my Facebook-Page!

Die Ausstellung mit Fundstücken ist in einem, dem römischen Baustil, nachempfundenen Haus untergebracht, und der Besucher wird anhand der Jupitersäule über die Götterwelt informiert, aber auch über das Alltagsleben auf einer Villa Rustica. Die Villa selbst war Sommerresidenz für einen wahrscheinlich sehr wohlhabenden Gouverneur oder möglicherweise Senator. Alleine der Badetrakt hat enorme Ausmaße.
Mehr Fotos von meinem Besuch auf der Villa Haselburg sind auf meiner Facebook-Seite zu finden!
-----------------------------------------
![]() |
| Wunderschönes altes Relief. --------------------- Gorgeous old relief. |
I was invited to the opening of the Villa Haselburg (german) in the Odenwald. The Villa Haselburg is an excavation site on the grounds of a former roman villa rustica. Finally the society to support the Villa Haselburg was able to finance a modern information center.
![]() |
| Ja, auch die Römer schauten vorbei! ------------------------- Yes, even the Romans paid a visit! |
I had to do three additional illustrations. One is a reconstruction of the Jupiter column whose remains were found on the grounds of Villa Haselburg. The two others were an additional God and a Goddess: Hercules and Fortuna.
On the 26th August was the opening of the Villa Haselburg to invited guests. Among them where guests from politics and from firms. Some of the people clothed themselves as romans and there where people who worked on the project like me, people from the sponsoring firms and local politicians.
![]() |
| Einige Ansichten der Ausgrabungsstätte. ---------------- Some views of the excavation site. |
On the 8th September is the day of the open monument, where the Villa Haselburg will finally be opened to the public. And aside from my contribution for the Jupiter column and the Gods and Goddesses, I really recommend to pay a visit. Alone the view from the site of the Villa Haselburg down to the Odenwald is awesome!!
What is important to know for all my english speaking visitors. The website for the Villa Haselburg may be in german, but all descriptions in the museum are in german and english.
You can find more photos of my visit to Villa Haselburg on my Facebook-Page!
Und so ist die Villa Haselburg zu finden! :)
--------------------------------------------------------
And here you can find the Villa Haselburg! :)
Labels:
Illustration,
Jobs,
Kinderbuch/Children's Book
Saturday, August 17, 2013
Thank You for Your Rejection....
Anmerkung für meine deutschsprachigen Besucher. Der Artikel wird diesmal wahrscheinlich länger und textlastig werden, da ich auch eine Reihe Besucher aus dem Ausland habe, schreibe ich diesmal den Eintrag von vornerein in englisch. Aber mit Bildern. :) Vielen Dank für das Verständnis.
--------------------------------------------------------
Thank you very much for Your rejection. That strikes as odd at first sight, doesn't it? But I mean it in a completly non-sarcastic way. I am honestly thankful that I get a response. Even if it is a rejection.
For those who aren't familiar with my current situation: I am at the moment searching for an art representative to cooperate. Or a publishing house who is searching for an illustrator with my style range. Or any other possible client.
Besides updating my numerous portfolios and posting on the usual social medias like Facebook, Twitter, Tumblr or this blog, I send my work samples to every possible client. And of course I'll get rejections, which also can be quite discouraging at times. But why am I thankful for a rejection?
The answer is, because at least the agencies, representatives and publishing houses let me know about their decision.
I am not the only illustrator who write them during the week, sending in work samples or links to their websites. I am not one of 10 or one of 20... At least according to some illustration agency websites they get around 100 submissions per week. And as we all know, strolling through the countless portfolios, links and worksamples is not the first task of illustration agencies.
A good bunch of the agencies even state on their websites that they won't be able to give a review on every single portfolio or even that they won't answer to every single submission.
The first one is understandable, the second one is sometimes a bit hard, because it leaves to me the question, if my works are so unremarkable that the agencies aren't even bothered to give me a small note. Even if it is a rejection, because in my opinion a rejection is still better than total silence.
It is something that also bothers me with a lot of job offers. They are searching for a freelancer or a new colleague. You write them a job application, of course nothing copy pasted, only a carefully picked together job application for them, like they are the one and only company in the world You would work for. And then.... silence.
I have heard in cases like this, You should write again to prove that you are really, really interested. Okay, okay, not writing again, that's a mistake, I made too. But I thought if the job offerer writes You that they will get back to You soon, it will happen. And I thought, okay. And waited. Obviously a big mistake. So, I will respond again, because writing an application and sending in work samples was not evidence enough for my interest.
And that's why I say thank you for the rejections. Still showing appreciation that I got a response -even a negative one. Showing to the agency that I am fine with their decision, because they let me know about it.
The illustration market is a huge, crowded and complicated one. In my opinion there are just far too many illustrators for the market. And I have already heard from agencies' sides that they have to deal with the changes in the markets and the difficulties finding new clients. And so, where would be the benefit for me if I got into an agency out of pity or what else, and end up as a non-active illustrator?
My guess is that in some cases agencies and illustrators sit in the same boats. Or at least they should be aware about it. I can only write about my point of view as an illustrator struggling with her job. But it would interesting for me to read about experiences from the side of the agencies or publishing houses. I collected some experiences over the years that led to my impressions that agencies aren't sitting in their ivory towers. They have similar struggles like the freelance illustrator. Maybe only in a bigger range because they have to bring together the interests of the clients and of the illustrators.
The other side, why I do my Thank You-sketches is that it shows a major point in my job. Getting creative with the given situation.
As I have to write some more applications and plan to send out more work samples and portfolios, this series will most likely to be continued.
--------------------------------------------------------
Thank you very much for Your rejection. That strikes as odd at first sight, doesn't it? But I mean it in a completly non-sarcastic way. I am honestly thankful that I get a response. Even if it is a rejection.For those who aren't familiar with my current situation: I am at the moment searching for an art representative to cooperate. Or a publishing house who is searching for an illustrator with my style range. Or any other possible client.
Besides updating my numerous portfolios and posting on the usual social medias like Facebook, Twitter, Tumblr or this blog, I send my work samples to every possible client. And of course I'll get rejections, which also can be quite discouraging at times. But why am I thankful for a rejection?
The answer is, because at least the agencies, representatives and publishing houses let me know about their decision.
I am not the only illustrator who write them during the week, sending in work samples or links to their websites. I am not one of 10 or one of 20... At least according to some illustration agency websites they get around 100 submissions per week. And as we all know, strolling through the countless portfolios, links and worksamples is not the first task of illustration agencies.A good bunch of the agencies even state on their websites that they won't be able to give a review on every single portfolio or even that they won't answer to every single submission.
The first one is understandable, the second one is sometimes a bit hard, because it leaves to me the question, if my works are so unremarkable that the agencies aren't even bothered to give me a small note. Even if it is a rejection, because in my opinion a rejection is still better than total silence.
It is something that also bothers me with a lot of job offers. They are searching for a freelancer or a new colleague. You write them a job application, of course nothing copy pasted, only a carefully picked together job application for them, like they are the one and only company in the world You would work for. And then.... silence.
I have heard in cases like this, You should write again to prove that you are really, really interested. Okay, okay, not writing again, that's a mistake, I made too. But I thought if the job offerer writes You that they will get back to You soon, it will happen. And I thought, okay. And waited. Obviously a big mistake. So, I will respond again, because writing an application and sending in work samples was not evidence enough for my interest.
And that's why I say thank you for the rejections. Still showing appreciation that I got a response -even a negative one. Showing to the agency that I am fine with their decision, because they let me know about it.
My guess is that in some cases agencies and illustrators sit in the same boats. Or at least they should be aware about it. I can only write about my point of view as an illustrator struggling with her job. But it would interesting for me to read about experiences from the side of the agencies or publishing houses. I collected some experiences over the years that led to my impressions that agencies aren't sitting in their ivory towers. They have similar struggles like the freelance illustrator. Maybe only in a bigger range because they have to bring together the interests of the clients and of the illustrators.
The other side, why I do my Thank You-sketches is that it shows a major point in my job. Getting creative with the given situation.
As I have to write some more applications and plan to send out more work samples and portfolios, this series will most likely to be continued.
Thursday, August 15, 2013
Lernt Olinguito kennen! / Meet Olinguito!
Als ein Tiernerd begeistern mich natürlich immer Neuigkeiten und Funde aus dem Reich der Tiere. Heute rollte auf Facebook ein Link zu einem Video zu einer neuentdeckten Tierart über die Pinnwand. Olinguito is ein naher Verwandter des Wickelbären oder Kinkajous und des ihm sehr ähnlichen Olingos. Laut den Medien ist es die erste neuentdeckte Raubtierart seit 35 Jahren. Für mich natürlich Grund genug den Kleinen mit einer Zeichnung zu ehren.
FAZ-Artikel
-------------------------
As an animal nerd news from and findings from the animal kingdom always amazes me. Today on facebook a link to a video about a newly discovered animal species rolled over my wall. Olinguito is a close relative of the kinkajou and the very similar looking olingo. According to the media it is the first newly discovered carnivorous animal species for 35 years. For me of cours reason enough to honor the little one with a drawing.
TIME Article
Labels:
Illustration,
Sketch-Diary,
Skizzen/Sketches,
Tiere/Animals
Tuesday, August 13, 2013
Hab ich wirklich vergessen?.... / Did I really forget?...
Hab ich wirklich vergessen auch das Portfolio zu http://www.amazon.de/Avati-Discovering-Ecology-Mia-Pelletier/dp/1927095131 u posten? Ja, ich hab. Hier dann mal einige der Illustrationen.
---------------------------------------------
Did I really forget to post the portfolio to Avati - Discovering Arctic Ecology?? Yes, I did. Here some of the illustrations. :)
---------------------------------------------
Did I really forget to post the portfolio to Avati - Discovering Arctic Ecology?? Yes, I did. Here some of the illustrations. :)
Labels:
Illustration,
Jobs,
Tiere/Animals
Monday, August 12, 2013
Rabe im Sturm / Raven in Storm
Ich will wieder mehr meinen Blog als Präsentationsfläche für meine Skizzen benutzen und solche ausgearbeiteteren Skizzen wieder hier hochladen und auf meinem Facebookprofil und meiner Facebookseite eine kleine Preview. Ich muss mal sehen, wie es funktioniert.
----------------------------------------------------------------------------
I want to use my blog more as a presentation tool for my sketches again. That's why I want to publish more elaborate sketches like this one here, and show on my facebook profile and my facebook page a small preview. I will have a look how this works.
Subscribe to:
Posts (Atom)















